Spiros
Vergos
was born in Athens in 1945. He studied at Pandios University of Political studies. In 1967 under the dictatorship he left Greece for political exile. He lived in Switzerland, England and Netherlands and after the fall of the dictatorship in Greece returned to Athens, established a publishing company and worked as journalist. When the socialist government came to power in Greece he was named Press Counsellor for European Community and NATO in Brussels. His political career has brought him to the Embassy of Greece in Prague in 1994 and he has been living here since then. He published 3 collections of poems, Anonymities, Account of Death and Roots in Time, and an essay book of his most characteristic opinion columns with a prologue by the late Prime Minister of Greece, Mr. Andreas Papandreou. A collection of his poems translated into Czech and English is being prepared for publication at the 9th Prague Writers’ Festival.
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Account of a Death
A crowd flowed over London Bridge, so many, Guilt The legends are couched, embalmed for ever within books nightmares about the guilt of memory and how the times had once betrayed us. Silent were the steps in the chambers of time as I put on the mask of Agamemnon. "Murder..." and the echoe "by murder is resolved". Helen torpor-stricken on Troy's voluptuous couches in mid-winter cafés laden with elderly women specked with earrings and reflections. Years and years of expectation stained with my blood, squandered over carefree summers among the nude bodies of girls drowned under fruitless times and recollections. Athena, Mary, Myrto. Come autumn, the salt in their veins turned to sweat with the first gust of bitterness. The past of my skeletal city this God-forsaken clod vast ghostly host of leprous statues. Shreds of wilted lives wounds in the conscience of a headless society. Fearsome Fury blowing through our kisses smudged with blood and impotent oaths, admission of the ancient injured longing. When the assassins raped the pain with ethics and compasses and seized the thrones to be worshipped in times to come as heroes. I have steeped my soul in the smell of brine sown by the spray from far-away love-leaps of the waves. The sailors whispered echoes of the Sirens'long-drawn sobs a lament on the voyage begun before the clay was given form before the knowledge-seeking verse. We dispersed on the decks of ships in the cracks between rotting planks with but the wind for weary monologue memories roosting on the masts harsh death-rattle for doomed infants drowned in the fonts of revenge. Our longing a mere ballast in the holds of oblivion as the acts fell apart away from the beaches of lovely contrasts and houses bathed in sunlight. Many a year have I lain dead my memory gone stale in hesitation. My solitude, my eyes. In this country no one is alive while murder grins under street headlamps faces of friends are pressed to a pulp a great yoke weighs upon their vowels. One of them vanished at the sound of the ocean another faded out at the thought of the past a third was hanged in the basements of the. For fifteen inexhaustible nights his dreams spat out into buckets blood blending with hatred hopes uselessly spent. He still roams and gathers remnants of himself weeps on the edges of the city. After the collapse of illusions came the wreck of our rust-eaten conscience as for us, bewildered, we crossed the borders while the crowds cringed with fear. I then heard you mutter "The cost of the child's education the cost of medicines fire-wood for heating and Helen wants an ISOLA fridge". Whole generations are winding up in Hades yesterday's victim still raving beyond death our faith trampled flat by the feet of neurotic statues. Who is left, I wonder, who may still know the truth. I leafed through an old spelling-book of the will nostalgia gone senseless. Violence: charred bits of shame - like a failed sketch drawn by some humanistic architect - toy soldiers compromises and childish obstination. Treason revisited monotonous promenade of death. Those who survived deposited their actions in pension funds - eight hundred and three drachmas before stamp tax and deductions. We, dressed in white, together with Kroton demanded revenge or succession doubt in the soul was our solace in the struggle against rival time. Red flutes are belching forth some mangled Orphic tunes our people laden with worn out symbols its lips alive with wily prophesies drinks nectar and fresh blood out of the calyx of its life. Our friends' broken skulls offered alive to the leaders who adorned their own parlour with the fruits of our fight. Every legend a way of life a lament slow to die a shroud for fresh corpses. I wore the mask of Agamemnon a refusal or excuse for the years that were lost and those that lie in wait for my blood-soaked enemies in coffins that have no present. At dusk the distant vision of cities without hope Athens, Rome, Byzantium born of an anonymous longing a marriage of conflict and fruitlessness. "Murder..." and the echo "by murder is resolved". While half demented lovers yearned for oneness with lightning but received bullets in their chests the rest of us retreated dragging unchiselled statues intimidated by the groans of betrayed battles. The grieving harbours dressed in red funeral tolls rang out the tumult of our will in non-existence. For one last time the girls were poisoned by fatal desires the boys were lapidated ashes in the sun-lit cemeteries. With alabaster bodies white hair swollen breasts sacrificers and sacrificed smile in an astonished silence at the metamorphosis of Charon from youthful sensuous disdain to the deep slumber of time. September is the month of death a yellow decomposition detritus of summer in the hollowed out streets. Drops of lemon flood the memory as my shadow fades out at the moment of defence. Fear The wheezing breath of the wind has scattered the detritus of time a polymorphous death sprouts forth from the core of the sun's kaleidoscope consuming yesterday's city. Apparent death adorned with gardens and shells and feelings exceedingly Greek born and expired unchristened. Anything Greek a sun-drenched death. Someone has solved the crossword of adjustment gathered the implements of Charon nets, hooks and baits, and back to the suicidal city. Only extinguished time has shape in this land when all is to be paid for Paris's sins Jules Vernes's excesses and the impaled head of Aris. With wire rope patrols block off the streets with poisoned spears run-aways are recaptured. And we, gaping mouths full of "bravos" and "vivas" copying the interests of terror reflecting the splendour of survival. The artists are nestling on the depths of timidity with this iconoclastic faith in wonders in visions safely bottled and much more of the same carefully sealed within the memory. Idols without a face in the distorting mirrors of power petrify hopes on paper lecturing others on what they ought to have done years ago and did not do. Their thoughts like lepers whisper some tragic little stories prophesies and fairytales as befits the occasion. The poet fights in dream with machine guns, faint smiles and moth-eaten marbles breaks down his visions into percentage points blood, submission, blood turns from man to memory from injury to traitor. Like rusty mementoes they creep up his acts, the look in her eyes the pouting of sweet lips the feel of flesh on memory. Fragments of wound that germinate patched up in the bandages of time. Listen to the wind blowing down the alleys of time drying the garden herbs killing the poppies that blossomed in our eyes. Listen to the moans of the Pleiades silent lovemaking torn to shreds in chaos virgin birth of fear. Listen to your own timid conscience as in the dead of night they beckon, as they surround you, mutilated statues. Listen to the whimpering tambourine a discordant lament for the dead you forgot for the dead you will forget. Listen to the shuddering tambourine. The night engulfed the will of our companions an age-old guilt that will not abate as the cities track down their ancestral sins their History as it stands without justification like a hideous rodent of time. Two skeletons on the pavement a muffled vengeful cry for us who trampled them rashly unable to distinguish friends from ghosts. Awkwardly romantic people drink wine from the skulls of live apes chiselled into their eyes the history of remorse their guilt swimming along within the blood of Jackson. I no longer distinguish murder from indifference. Anything Greek a sun-drenched death fear of being fused into detail. A deathly lament cloaks the land our lives like crowns of thorns ablaze and wounding the night death silently crackling with all thousand mouths licking the acts. Ashes on the skin remains of a sun-smoked happiness and to the beat of a military band we have slashed the veins of flowers. In the river of oblivion Charon slew the shadows of the justice-hunters treacherous governments hacked and killed the will of popular heroes and went on to proclaim "Greeks honoured children of the Nation by Greeks you were begotten". They then worked relentlessly those execution squads we were relieved of monophysites iconoclasts and icon-worshippers piners for the past and seers of the future. We now rehash obsolete dreams fleshless desires and our young popular heroes scrape remorse with their nails like the manure of Augeias. The magicians of our time are charlatans. Unrepentant poets have stayed recording their hatred in verse perversely conversing with remorse and the gypsies haggling over dead souls every Sunday afternoon with a PR from National Composts. They spend their profits on magic packs of cards and they sell hopes to the crowds flocking to their tents seeking to buy death out at cut price. Hope The gangrenous hoarfrost of time rolls over the fresh skin of a truth newly become a polychromous fun-fair of fear. A useless myth revisited when yesterday's and today's traitors served at the supper of hospitality singed in the most exquisite fashion the flesh of our generation. Painting some Easter allegory over the country that once nurtured the seed of dawning centuries. Willingly weaving the goddess's veil remote reminder of a fresco from torch-lit Panathenian processions on which the wise and chaste Pallas drove her lance deep into wayfarers boring a hole in their hearts so that the sun may freely enter. They even stole our voices and whatever else was left thus gaining a few medals while we gained our freedom. He who thinks freely thinks soundly he who has naught to lose is free. Clusters of dreams within the womb doubt our final offering to those who will come to those who will admire the outcome without learning the reason. Our own unending Odyssey descended from day-dreams and ill-fated prophesies. Our companions meet in pigsties for joyless conspiracies having smashed mirrors in the rubbish-dump of freedom - to blot out the sun's corpse beheaded like Medusa's and swinging from the sky's shrivelled hands. And then they killed the butterflies clutched in the hands of children to show how brave they were. The village teachers these well-known shapers of public opinion falsified algebric equations striving to demolish our myth. You are playing with fire - Circe the witch said to Odysseus. Assassin wanted as associate - answered the echo of his offspring. They set blocks of flats ablaze shot burning arrows from the sun's bow that rises after rain and in a sack held under their arms they gathered the keepsakes thrown by people out of linen chests as if they no longer saw fit to cram their rooms with maudlin memories. Charon rules golden-throned his inky cloak a shroud for those who possess justice a mournful mantle for dreamers who uproot their lives scattering them among anemones and nostalgia. But we have no god to worship not even an obol to clench between our teeth and death no longer watches us with such cupidity. "Murder..." and the echo "by murder is resolved". So that the unburied be let loose on the cities dancing the human-shaped dance symbol of time resurrected. So that they may shed in the wind each minute parcel of fear every rusty residue essence of yesterday's hope that we once knew freshly-born like a utopia bleeding and weakly smouldering a sorrowful sunray on a clod of asbestos. The steps of time footprints of the humanoid Gorgona bas-reliefs on the sand. I sprinkled them with blood the day before yesterday red, purple, saffron blood is always needed if we want the cocoons to break open so that butterflies may wrestle with the light. I burn the city and die along with the enemy. Round and round the winters go whirlwinds of other lives and longings ceaselessly generating the demon of our thought our renegade dreams and the snakelike souls of our offspring. Spinning-top of time aimless outcome of laurel-crowned contests when victors were infected by their peers’ bloodthirsty ways and the white goddesses of our visions Althaia, Physkoa, Ariagne, sold their bodies for a trifle to be remembered by History. just like this faltering account entangled in what it seeks to hide of a dim memory of guilt the false superstitions of fear and the sun-drenched death of hope. God has forsaken dreams take heart you seers of human salvation there is hope for us still in despair. |